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・ Vladimír Dvořák
・ Vladimír Dvořáček
・ Vladimír Dzurilla
・ Vladimír Ekhardt
・ Vladimír Filo
・ Vladimír Franz
・ Vladimír Godár
・ Vladimír Goffa
・ Vladimír Gombár
・ Vladimír Goněc
・ Vladimír Guma Kulhánek
・ Vladimír Gýna
・ Vladimír Haber
・ Vladimír Hagara
・ Vladimír Helfert
Vladimír Hirsch
・ Vladimír Holan
・ Vladimír Hrivnák
・ Vladimír Hriňák
・ Vladimír Hruška
・ Vladimír Hučín
・ Vladimír Janočko
・ Vladimír Jarý
・ Vladimír Javorský
・ Vladimír Jindřich Bufka
・ Vladimír Jiránek
・ Vladimír Jirásek
・ Vladimír Jánoš
・ Vladimír Kameš
・ Vladimír Karfík


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Vladimír Hirsch : ウィキペディア英語版
Vladimír Hirsch

Vladimír Hirsch (born July 3, 1954) is a Czech composer, instrumentalist, and sound experimenter, integrating industrial and dark ambient music with modern classical composition with a genre overlap conception. His compositional style is characterized by polymodal architectonics, polymictrotonality and the usage of digital technique to enhance sonic means of expression,〔Blanický J., Auster M.: (Vladimír Hirsch biography )〕 where modern classical elements fuse within experimental soundscapes. Besides creating solo works, he is the co-founder of band Skrol, the duo Aghiatrias and various other projects (e.g. Zygote, Luminar Ax, Subpop Squeeze and Tiria).〔Pustianaz, Maurizio: (“The Assent to Paradoxon” box set )〕 His music is marked by a dark, tense and tempestuous atmosphere. Between 1986 and 1995 he was member of experimental post-punk group Der Marabu.
==Biography==

Hirsch has been composing since he was a teenager, when as a pianist and organ player, he started to write romantic and classicist pieces with elements of experimental rock. However, he abandoned these compositions for some time and delved into experimental jazz and rock music up until 1986, when he joined the post-punk band Der Marabu. Simultaneously he also started to apply modern classical forms to electronic and analog music resulting in a more transgressive industrial style in his solo works. During this time, Der Marabu also changed their direction to a darker and more aggressive style with some Slavic classical music undertones. After many personal changes the band finished its activity in 1996, when Hirsch established the band Skrol. Its creative principle was based on modern classical concepts with a congregation of martial industrial. Severe militant rhythms along with obstinate instrumental loops as a counterpoint to the melodic calmness are typical features of that period of Hirsch's style. Throughout their existence, Skrol recorded 5 albums, that were released between 1998 and 2009, though their public appearance was interrupted from 2002 to 2011. With a similar but more abstract sprouting of this integrated style, aiming more towards dark ambient, is Hirsch's project, Aghiatrias, founded in 1999. Aghiatrias were active from 1999 until 2007 and for that period recorded 4 albums, in which they were moving from a sombre ambient industrial character to power electronics, with an infiltration of modern classical composition and digitally manipulated instrumentation.
Hirsch's collaborative projects have never interrupted his solo output. He has continuously composed an extensive collection of music, foremost a number of conceptual or thematic albums, including symphonies, suites, concert works, soundtracks, and many experimental compositions, including works for his favourite instruments: organ and piano. He has been influenced by various 20th-century compositional techniques, including serial, atonal, microtonal, polymodal, spectral and others, however his style has emerged into what Hirsch calls "integrated music", characterized by an effort to break the borders between primarily musical and unmusical elements in composition and instrumentation, attempting to both equalize and enhance their expressive properties using technological manipulation. His work described as an alchemical transmutation of modern classical forms with dark ambient, industrial and noise components into a homogenous indivisible structure. It also represents metaphysically the central idea of Vladimír Hirsch's concept, which consists in the collision and reconciliation of two seemingly spiritually opposite worlds inside an individual.〔Admiron C.: (Invocatio - an interview with Vladimir Hirsch )〕
Hirsch performs regularly in his native country and abroad. He has had a US tour in 2001 and appeared in many European festivals.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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